



Globalisation, economics, ethics, the environment, computers, Asian values, conspiracy theories and male business fashion.

Often the question I get asked is really just asking, "What do I say next to win the debate."
Origen AE S16V Enclosure
Carp struggling upstream
After reading lots of raving reviews about the HBO series, 'The Wire', I finally got myself a copy of the first season. I'm not even at the end yet, (trying, without too much discipline, to pace myself!) but I can say it's one of the best tv shows I've seen.
I find this really funny. I don't know why...
I know this is an example of sh*t she would not have to put up with if she was a man and I hesitate to buy in to the media pile on. However in the wake of New Hampshire it's still worth asking the question: was this a brilliant piece of campaigning?
I tend to think it was. Maybe that's just sour grapes. I'm for Obama.
Grant Asylum to Victims of Global Warming, Force Mothers Under the Age of 16 to Give Up Their Children for Adoption, Impose a General Restraining Order on Paparazzi, Apply Diplomatic Sanctions to Russia, Ban Homosexual Re-Education Camps, Impose Compensatory Duties on Non-Signatories to the Kyoto Protocols...One thing I have been thinking a lot with more recent action films is that many have lost the 'battle narrative' - that story within the story that makes a big end battle interesting. An example of an excellent battle narrative can be seen in Braveheart - here we know what the heroes are up against (superior numbers, horsemen) and we have an idea of what they have going for them (bravery and wits). Finally, we have a hint of the chink in the enemy's armour (the arrogance of the commander). The enjoyment in watching the battle comes from watching the characters deploy a plan that takes advantage of their assets and exploits the weakness of the English. Wits --> Infuriating the English so they charge, using long pikes to impale the cavalry. Bravery --> Standing at the front of the line to face down the charging horses.
'Transformers' shows how recent films are bumbling around and messing up their battle narratives. It was unclear just what the characters had going for them other than that one was a 'soldier' and one wanted to make a 'sacrifice' at some point. It was unclear just what weaknesses the Decepticons (bad guys) had, except that they were vulnerable to certain "Sabre Rounds". Instead of using their assets to create coherent plans that exploited this weakness, the characters ran around almost as if they were in a cartoon, cooking up increasingly ridiculous things to do - like sliding a motorbike under a Decepticon and shooting away with a shotgun (after we've already heard that normal rounds don't work.)
This is not about plausible and implausible. Starwars had an interplanetary farmboy flying at a 'deathstar' but we knew what he had going for him (mad pilot skilz, rudimentary jedi training) and we knew the weakness (a small thermal exhaust port only 2m wide). Our enjoyment was not only about the visual effects, it also came from watching a plan unfold that referenced what we knew about the characters already.
Ezzy and I are working through Buffy courtesy of Lynne.
What a fantastic two weeks away (but for lack of ezzy)!
I'm delivering a PowerPoint presentation on how to deliver PowerPoint presentations on Saturday for Free Debate. I spent a bit of time on it over Christmas, and did a couple of run-throughs with the crew.
At some stage it would seem inevitable that humans will start wanting to have relations with robots.
Orlando asked me to do a post on male business fashion in accordance with the stated aims of Disco. We have also agreed to debate together in 2007, and so I am trying to think up a team name combining the themes, knowing that Orlando has a penchant for inappropriateness.Your old pals – James and Kato – caught up for a lovely evening of discussion about war crimes. The panel of 6 had been put together by the Australian Red Cross and featured luminaries such as:
Some thoughts from the panel – and some from me.
Location
Where do you put a Tribunal? Outside the country eg.The ICTY was able to successfully interview rape victims as witnesses primarily because they were taken outside of their communities where their lives would have been made hell. Cf.
Domestic courts can be desirable. Proximity to victims makes their verdicts more “meaningful”. However sometimes they are just the cheaper option. In East Timor a shortage of jurists, lack of funds and inability to extradite criminals from
Cost
Trials are expensive. The ICTY cost $275 million per year. The ICC is more expensive again.
The “International Community” should pay because they provide a deterrent, which is good for everyone. In
It’s a bargain compared to waging a military campaign or to allowing the cycle of violence to continue.
The
A case against the
Rumsfield has been indicted by a court in
Truth and Reconciliation Commissions (TRCs)
Trials and TRCs
A study by Oxfam in
The South African example is often used to show how giving amnesty works instead of trials. However of the 7000 people who applied for amnesty, 5000 were knocked back. So there was still lots of prosecution.
My Thoughts
Unfortunately the event was poorly moderated and as you can see the panelists did not really get stuck into any particular issue. I would have loved to see more discussion on whether TRCs can work with Trials, what makes up this “International Community” and what are the machinations required to get your conflict taken seriously enough to warrant the enormous bill that this type of action requires.
However the most fascinating question was simmering under the surface of the panel. There were those who were fixated on “listening to the victims” and working out what they wanted. In contrast to that approach there were those who seemed more enthusiastic about building a formidable international criminal deterrent. To me, this raised the moral quandary of a “greater good” and of ends justifying means.
It would be simple if the law was only concerned with victims. However (as one panelist argued) dealing with the past is a big part of creating a future for a country that has been torn by war. So doesn’t this mean that there a responsibility to the rest of the country and to those who would be caught up in fresh violence? What about victims in other conflicts who would stand a better chance if the rampaging military knew that impunity was not available?
What does Disco think about these questions?
I've been interested in music for as long as I can remember.
"Whether he (sic) likes it or not, a man's character is stripped bare at the poker table; if the other poker players read him better than he does, he has only himself to blame.
Kato and I went to the Lowy Institute last night to see Kim Beazley talk about Australia's foreign policy. I scrawled some notes on a piece of paper which I then left at Wagamama, but here is what I remember about what he said and what I thought: